Divided in halves by a wedge of channel glass, the plan is situated to offer views of the water throughout. The result is a modern, reinforced concrete house with a stained-cedar curtain wall. Mindel, cofounder of the New York AD100 architecture and design firm SheltonMindel (then known as Shelton Mindel & Associates), partnered with architect Reed A. Photographed by Michael Moran, Architectural Digest, June 2007Īn Architect’s Unconventional Hamptons Hideawayįor his 5,000-square-foot, two-story country home on Long Island’s East End, Lee F. Schmidt in 1966, features a classic navy and gold stairway landing graced with six aquatints from the Hudson River Portfolio, painted by William Guy Wall and engraved by John Hill.Ĭoncrete carries the day inside this home. In the latter, back in 1984, Albert Hadley had installed a Zuber Les Jardins de Paris wallpaper. ![]() ![]() Learning all about the pigments and the different processes for making paint at the turn of the 19th century-well, I can see where that might strike someone as dry, but for me it was thrilling to discover just how akin to my own taste the saturated colors of the period were.” Drake’s refresh included painting the parlor a historically accurate patent yellow and hanging an 1810 French chandelier from H.M. “I pulled 100 books from library stacks and soon each one was sprouting 500 Post-its. “The Federal became the period in my life,” he recounted to Architectural Digest. ![]() For the Gracie Mansion rehab, Drake dug into the past. One of the oldest surviving wood structures in Manhattan, the two-story, five-bedroom Federal House on East End Avenue was built in 1799 by the Scottish-born merchant Archibald Gracie and served as the original location of the Museum of the City of New York before becoming the official home of the city’s mayors since the Fiorello H. When Mike Bloomberg became mayor of New York City in 2002, he tasked local designer Jamie Drake with updating Gracie Mansion in just three months. The Past Inspires a Mayoral Residence’s New Look
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